Thumbnailing Thumthing Thpecial

So exciting! Chicago illustrator Aaron Miller is now working on our Oz-inspired faerie art and, although I've only seen a few of his initial thumbnail sketches of the faerie scarecrow, faerie tin man, and faerie cowardly lion, I can say we are off to a great start. I'm only gonna share one little glimpse this week, but will reward your patience with some images for our previous endeavors.

A few years ago, we were working with a friend of Aaron's, Jeff Himmelman, who designed a series of scarecrow images for us, each based on a famous artist. Here's the mascot for Scarecrows at the Museum, our own Vincent Van Crow. 

After Vincent, we urged Jeff to look to more modern artist and he offered us Jack the Dripper. Can you guess which artist he is suppose to be?

After nailing Jackson Pollock, he then turned to Frida Kahlo, or as we liked to call her, Frida Kahlcrow! 

Other fun stuff was then added to really play up the scaring-of-the-crows aspect of the event.

David D.J. Rau

Director of Education and Outreach

David D.J. Rau coordinates as well as participates in the Museum’s October creative endeavors. You can contact him at david@flogris.org.

Upcoming Blog Entries:

• Illustrating the Museum's October Events
• Meet the Museum’s New Fantasy Illustrator Aaron Miller
• Just C’Oz: Other Creative Endeavors Inspired by Oz

Inspired by Oz

It's been a very busy week working with the artists who will be creating the mini-faerie installations, based on the 24 chapters in the original text of The Wizard of Oz this October at the Museum. Artists were asked to look over the chapters and pick their top three choices. Some even shared their early ideas and, let me tell you, we are in for a wonderful array of wee faerie creations inspired by Oz. So very excited. I plan to post the artists and their chapters in upcoming posts. 

However, this week I was looking back at the first Wee Faerie Village, and I came across some of my own collage work that was inspired by the Museum's faeries. At the time I was working with historic tin-types to create collages. Eventually the faerie enchantment crept in and I started using maple seedlings as wings to transform these sober men of yesteryear into faeries. Ironically, considering our upcoming project, I called these works "Tin Men."

Seeing my work, a friend noticed a connection with another artist, Alex Gross, who paints over cabinet cards. A very talented artist, he transforms the sitter in the early photograph into heros, monsters, Xmen, and more. I went to his website recently and was delighted by this collection of Oz-inspired images. I immediately ordered his book which is filled with his mini masterpieces. I think his approach to the characters of Oz is clearly inspired--and what I would give to own that Wicked Witch of the West. Simply Oz-some. By the way, you can get more information about him at his website, alexgross.com. His book is available from Amazon.

In closing, I want to "thank you" for reading, and do feel free to send me link of other works of art you come across that are "inspired by Oz."

David D.J. Rau

Director of Education and Outreach

David D.J. Rau coordinates as well as participates in the Museum’s October creative endeavors. You can contact him at david@flogris.org.

Upcoming Blog Entries:

• Illustrating the Museum's October Events
• Meet the Museum’s New Fantasy Illustrator Aaron Miller
• Just C’Oz: Other Creative Endeavors Inspired by Oz

A Little Creative Casting

"But it wasn't a dream. It was a place. And you - and you - and you - and you were there." ~ Dorothy Gale

I remember watching The Wizard of Oz when I was young and having that "eureka" moment when I realized that the farmhands, Hunk, Zeke, and Hickory, were the same actors who played the Scarecrow, Tin Man, and Cowardly Lion. I think it took me a few more viewings to make the connection between Professor Marvel and Oz. After the realization, I wondered if Aunt Em and Uncle Henry had Ozian cameos -- I don't think so. 

With this in mind, I thought it might be fun to recast the movie with people from the Florence Griswold Museum's core story of Miss Florence and the artists of Old Lyme. Of course our own Miss Florence could have made a wonderful Dorothy, especially in her younger years. 

For the Scarecrow, I am casting Arthur Heming, the Canadian painter and illustrator. The Museum is currently featuring his work in the traveling exhibition Arthur Heming: Chronicler of the North which will be on view until June 2, 2013.

For the Tin Man I had to choose Childe Hassam, probably the most famous artist to come to Old Lyme to paint. We often show him in these black and white photographs standing outside the studio he used nestled in the fruit orchard. I can see him standing rusted-tin-man straight observing the landscape and planning his next great painting.

The painter Henry Ward Ranger, credited with founding the Lyme Art Colony, is best for the Cowardly Lion. Although a brave artist to start such a venture in the small village of Old Lyme, the body type and king-of-the-jungle-ness of Ranger seems to suit the Lion. Instead of the wagging tail, Ranger supposedly had a ring of cigar smoke ever-encircling his head. Puddum up! Puddum out!

As for Oz himself, I chose Willard Metcalf, partially based on their similar features. Not at all a humbug, Metcalf made Old Lyme famous with his painting of the front of Miss Florence's house titled May Night which won a great prize and was the first contemporary painting accessioned into the collection of The Corcoran Gallery of Art, the oldest in our nation's capitol. I'm glad somebody paid attention to that man behind the canvas.

David D.J. Rau

Director of Education and Outreach

David D.J. Rau coordinates as well as participates in the Museum’s October creative endeavors. You can contact him at david@flogris.org.

Upcoming Blog Entries:

• Illustrating the Museum's October Events
• Meet the Museum’s New Fantasy Illustrator Aaron Miller
• Just C’Oz: Other Creative Endeavors Inspired by Oz